Group Exhibitions & Art Fairs
2022 March– New Era VI, Group Virtual Exhibition, Art Number 23 Gallery | Athens
2021 International Contemporary Art Fair of Luxembourg, represented by Van Gogh Art Gallery
2021 The Art of Portrait, ArteVisione Gallery | Athens
2021 Art of the Female Gender, PocketStar Gallery | Athens
2017 From Icarus to the Archangel, 4Art Group Exhibition | Patras
2019/23 Participation in LIFE ARCPROM (EU project on human-bear coexistence) with one painting, exhibited across 4 National Parks in Greece and Italy
Aliki Amyrali was born and live in Patras, Greece.She received an Integrated Master from Department of Fine and Applied Arts of Florina University of Western Macedonia, Greece in the direction of Painting, in 2020. Her work explores painting as a personal way of recording memory, place, and emotional state. Each piece shifts between narrative and silence —between what is seen and what is felt.
Artist Statement
Aliki Amyrali’s painting practice navigates the intersections of human presence, gesture, and constructed space, often capturing fleeting moments charged with quiet emotion and psychological depth.
Influenced by everyday scenes and the subtle rituals of contemporary life, her work explores the body’s presence as a vessel of memory, tension, and vulnerability. Working in acrylics , oil and markers, Amyrali often alternates between figuration and abstraction, using expressive brushwork, distortion, and vibrant color to amplify inner states and spatial ambiguity.
Recurring themes in her compositions include introspection, solitude, and the unspoken dynamics of interpersonal encounters. Studio portraits, anonymous interiors, and public settings—become stages where emotion surfaces through posture, color, and unresolved narrative.
Having grown up in Patras and studied painting in Florina, Amyrali’s visual language is shaped both by the Greek socio-cultural landscape and her experience as a visual arts educator. Her work proposes a visual diary of psychological atmospheres—neither entirely public nor fully private—inviting viewers to pause, observe, and reflect.
As an artist rooted in the post-digital generation, she embraces painting as an essential act of slowness and attention in an overstimulated, screen-saturated world. Rather than illustrating stories, her works evoke them—fragmented, tender, and open to reinterpretation.
